They are brought together as partners because, while working in Madrid, Pedro wrote an angry letter to a newspaper about the government.

In addition to this police investigation we have an interesting character study, as we get to know both Pedro and Juan. However, their differences make each encounter with suspects or witnesses interesting, as we see how each man handles certain incidents. They do indeed butt heads on occasion, but for the most part, both stay loyal to their partner. Complicating matters is the fact that the two detectives beliefs and ideals seem to be polar opposites. Two other girls lost their lives in similar ways, on almost the same dates, in both 19. While investigating the death and mutilation of two girls found in a swamp, they find out that they are dealing with a serial killer. This is the type of challenge that detectives Juan (Javier Gutiérrez) and Pedro (Raúl Arévalo) are facing. I'm guessing that is where the name came from. Those wanted by the police are hard to find within the marshlands of the area, presenting another barrier for normal police work. Solving a murder case in a Spaniard rural town in 1980 is one mighty challenge. Politics hang over the entire case from beginning to end, constantly providing obstacles, giving the film its own identity. We see and hear about many workers' strikes and how they are effecting the small town. The political climate of the region is what separates this film from any number of murder mystery/police procedure films. The effects of the Franco dictatorship still muddy the waters we see his name spray-painted on walls, while his influence still reverberates with many people in the town. However, it is an entertaining and intriguing police procedural that takes place in a rural town in the south of Spain during 1980. Marshland is what you would call a slow burn, as there isn't a ton of action, nor is it fast paced.

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