He carries on his messiah's waning moralistic philosophy by continuing to find victims in need of a baptism by blood but finds himself hindered by Jill who is now cooperating with the police and giving them everything she knows to spite her husband's latest protégé. And 'Saw 3D' almost solely focuses on Hoffman, who it really has to be said, is a sad substitute for Jigsaw. After the previous six films, the franchise does not so much look through the eye of the victims anymore as it does its villains who have an entire mythology unto themselves. It delivers the gore in more elaborate ways than the past few films have - considering how quickly they were rushed out - but loses that sense of cleverness and more importantly, that sense of menace that the franchise has always attempted to retain. But it has to be said that the films have been on a downward spiral since its fantastic first installment. The entire soap opera of Jigsaw's family and professional life carries a narrative that attempts to reconcile the final film with the beginning of the franchise, and it definitely does seem to have recapitulated rather well for both hardcore fans as well as fairweather ones. And in a protégé, Hoffman (Costas Mandylor). So Jigsaw (Tobin Bell) is still dead and but his legacy still goes on in flashbacks. What can one attribute to another entry into the 'Saw' franchise? Number 7 comes right on the heels of the 3D craze and purports to be its final chapter.

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